|
| 1. |
Excited
Strings: Yuval Mesner (cello) & JCJ (bass). March 2006 |
| 2. |
Avishai
Cohen (bass) & JCJ (bass). March 2005 |
| 3. |
Eyal
Maoz (guitar) & JCJ (bass). November 2007 |
| 4. |
Between
the Strings Trio: Daniel Hoffman (violin), Nori Jacoby (viola), JCJ
(bass). April 2006 |
| 5. |
Ned
Rothenberg (alto sax) & JCJ (bass). Live in Jerusalem, March 2004 |
| 6. |
Excited
Strings with Steve Horenstein (flute). To M. February 2007 |
| 7. |
Ariel
(piano) & JCJ (bass). A l'essentiel. October 2007 |
| 8. |
Rubin
Jones Gotesman Trio: Harold Rubin (clarinet), JCJ (bass), Arkady
Gotesman (drums). Live in Tel-Aviv, July 2007 |
| 9. |
Steve
Horenstein (sax & electronics) & JCJ (bass & electronics). 1997 |
| 10. |
Excited
Strings with Steve Horenstein (bass clarinet). February 2007 |
| 11. |
Between
the Strings Trio. Elegy. April 2006 |
| |
Total
time: 43:01 |
|
|
J C Jones
ReComp
The material on this album is drawn from improvised sessions recorded over the
last few years.
Two pieces are edited excerpts. The other nine are rewritten, that is,
recomposed. In the process of rewriting the nine pieces, I took license
to freely reorganize and reassemble the original musical fragments to
reflect my personal artistic take on these sessions.
As opposed to mere editing, recomp involves the deconstruction, subtraction,
selection, rearrangement, and reconstruction of the material. It not
only changes the sequencing, but it radically affects the feeling and
flow of the music. It also changes the texture of the weave, the voice
of the team, and the original intention, revealing new connections, transitions,
and possibilities.
JC Jones, Kadima Collective Recordings, Jerusalem , February 2008
Some tracks were recorded at the Kadima studio and some live
at gigs, with
JC on acoustic and electro acoustic basses
Thanks to all my musicians / friends and Judy, Gabi, Olga,
Marina, Ori, Avi, Eyal
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